FOCUS
Before I began painting, I made photographs. I'm jazzed about revisiting this medium as a counterpoint to oil and acrylic. One similarity is that the "artist’s hand" is in the editing—before and after the shutter button is pushed, decision-making at innumerable crossroads. As with painting, the tools I work with include composition, color, content, and so much more. My overall focus is to provide viewers with a talisman or springboard—a dynamic backdrop as they live their lives, a seed or spark of beauty, imagination, contemplation, optimism, provocation, gratitude, inspiration.
Hill Walker, No. 4, digital photograph. This and other of my photographic works are available for purchase as museum-quality giclée prints on heavyweight archival etching paper, in signed limited editions. If you would like more information about purchasing a hand-signed and numbered giclée, including size and other options, please contact me.
Green Impromptu, digital photograph.
Winter Dusk, Washington Park, No. 2, digital photograph.
San Francisco Jaunt, digital photograph.
Urban Mushroom Farm, digital photograph.
Hill Walker, No. 2, digital photograph.
Here and Now, digital photograph. This and other of my photographic works are available for purchase as museum-quality giclée prints on heavyweight archival etching paper, in signed limited editions. If you would like more information about purchasing a hand-signed and numbered giclée, including size and other options, please contact me.